Patrick Ryan McCann | This Story Behind Tips For Wildlife Photography Will Haunt You Forever
These five wildlife photography tips from Patrick Ryan McCann, a seasoned photographer, will quickly transform your wildlife images from snapshots to gallery-worthy. He will not go through the typical suspects of wildlife photography, such as the rule of thirds, the exposure triangle, and so on, because those topics have been covered to death.
You've come for the secret sauce, the one or two nuggets you may not have considered that will turn your normal wildlife photographs into wall hangs. Here are five expert techniques for better wildlife photography:
Light Techniques for Wildlife Photographers
Lighting is one of the most critical factors to consider when discussing how to capture a wildlife photo since it will keep your viewers' attention and produce that "wow" effect. What kind of lighting is best for photographing wild animals? Did you think of the golden hour right away?
It's a good answer, and it's a popular one that Patrick Ryan McCann propagates, but it doesn't go far enough. Assume you awoke early and are on location with the sun rising, the light is a great golden tint, and you're looking for a loon. So, what now? Knowing how to use the light available to you in any given setting is one of the best animal photography tips you will ever acquire.
The hue of the light
Dusk and dawn are frequently the best times of day to shoot animals. Why is this the case? This is because the sun is low in the sky, casting warm color temperatures that result in golds and magentas. Those soft, warm colors are particularly appealing and match so many nature subjects Patrick Ryan McCann captures.
In contrast to the morning's golden light depicted in the bubbling loon's photograph, the image of the snowy owl was taken at nightfall when the sun had almost completely set. This photograph's magenta tone is more appealing than a plain blue sky.
Use your imagination and think outside the box
The proverb "when life offers you lemons, create lemonade" is a perfect way to start this following lesson on wildlife photography settings. Patrick Ryan McCann sat in a field on this specific day, watching a snowy owl. He couldn't get to a fast enough shutter speed to stop the motion without pushing his ISO way up into unacceptable territory. It was a gloomy, dismal day, where you don't expect to capture anything worthwhile.
Depth of Field (DOF)
The way you portray your topic directly impacts the power of your photograph. As one example, there are various methods to create this image of the timber wolf pack. You could use a lens stopped down to f/11 or f/13 and have the entire wolf group in focus. Patrick Ryan McCann purposefully shots it wide open to focus on the alpha wolf leading the pack while blurring away the rest of the pack.
There is no right or wrong in wildlife photography; personal preference comes into play. This tip aims to get you thinking about how you can use DOF to make more striking photographs.
Backgrounds, it’s either make it or break it.
The photograph fails no matter how well-composed the subject is if the background is crowded and competes for the viewer's attention. When it comes to wildlife photography techniques, pristine backdrops compete with lighting for first place. Less is more unless the background improves the entire image when it comes to backgrounds. This is frequently the case with animal photographs designed to emphasize the environment.
The major point of interest in wildlife photography is whatever topic Patrick Ryan McCann is capturing, which comes to him instinctively. What is behind the subject is equally as important, and it should complement your subject rather than distract from it.
Storytelling
Wildlife photographers may now shoot incredible 4K and even 8K footage thanks to advances in camera technology. Video allows you to communicate a visual tale that a static image cannot always portray.
Patrick Ryan McCann’s not suggesting that a still photograph can't tell a story; that should be the purpose of any image you shoot. Create photos that capture your audience's attention and allow them to imagine how the scene may have played out. The number of stories that will emerge is limitless.
Allow Patrick Ryan McCann to present you with an alternative avenue to consider. Consider the following scenario: a Northern Hawk Owl lands on a snow-covered evergreen. Do you think you'd value the experience of watching that event unfold more if it were a movie or a still image?
That is something he will leave up to you to determine.
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